Coal Horror Show

The End of Energy:

But the problems with coal emissions do not end with [acid rain]. Sulfur dioxide, although invisible, deflects light – and it is one of the main reasons that average visibility in the eastern United States is only 14 miles. Burning coal also produces one-quarter of the nation’s nitrogen oxide, an important contributor to smog, and coal emissions have led to high mercury levels in fish, causing brain damage to fetuses and children. One study…estimates that power plant emissions kills more than 30,000 people each year…


The Fall of the House of Forbes

I just got done with Stewart Pinkerton’s The Fall of the House of Forbes. I found it definitely worth the 13 bucks, but that’s probably because I worked at the company for eight years.

So, would I recommend the book to people who haven’t worked for Forbes? If you are fascinated by the eccentricities of rich people, certainly. Pinkerton serves up plenty of detail on the oddball and lavish sides of the Forbes family.

As a broader look at the media biz, I wouldn’t rate this one so highly. Pinkerton lays heavy blame for Forbes’ troubles on the family’s alleged incompetence, without going too into depth on the larger forces at work. So it can be misleading. For example, he dwells on the recent rounds of layoffs at Forbes but doesn’t really explain that plenty of other media companies were contracting pretty hard and cutting people at the same time.

On the flip side, he suggests Forbes is about to be crushed by Bloomberg and its “2000 journalists.” That may be true, but Pinkerton doesn’t go into what enables Bloomberg to field such a humongous edit staff. Again, I think that’s misleading. It leaves you with the impression that Bloomberg is a winner simply because they invest more in journalism.

A couple of other things bothered me about the book, but I thought it was a decent read overall. At the very least, I salute Pinkerton for writing down a bunch of stuff that I probably would have forgotten about in 10 years time.


Shaky

Always nice to have something to look forward to. JamBands.com:

Following the path of legendary rock stars like Eric Clapton and Keith Richards, Neil Young has announced plans to release his autobiography, next fall.

 


Take Me Out to the Ball Game

H/T Ukulele for Dummies.


Downloaded: Ukulele for Dummies

After thoroughly enjoying Dances with Dragons, I’m back to self help. This time it’s Ukulele for Dummies.  I’ve had mixed results with these books. Reading Chess for Dummies, for example, hasn’t helped me to avoid getting crushed every single time by the computer opponent on my iOS chess app.

But this one has already taught me a couple of things. One is a way for dummies to remember the G-C-E-A sequence of strings on the ukulele. In the book, a cartoon provides a helpful mnemonic:  ”Giant Cockroaches Eat A Lot.”


Downloaded Isabel’s New #Book: A Year in Six Seconds 

I’m taking a break from George R.R. Martin to read my sister’s recently released memoir, A Year in Six Seconds. Obviously, I can’t review the book all that objectively, but you’ll find some nice comments on it at Amazon.com.

I will mention this outstanding aspect of the book – in the first few pages, it quotes Carl Sagan…twice! One of those quotes: “Understanding is joyous.”


Dances with Dragons: 764 iBook Pages In

I’m still going strong with Dances with Dragons, although I have to say the reading experience feels somewhat different than it did with the other books. Maybe the writing is pretty much the same as the rest of the series, and I’m just getting older or whatever, but it feels like this one leans a little too heavily on revulsion. The over-the-top disgusting bits just come a little too frequently.

One indicator of that showed up on the bus the other day – I was reluctant to even open up the book on my iPad, because I was worried the person sitting next to me might check out what I was reading and get get horrified. I have no plans to stop reading, though. Made it this far.


A Dance with Dragons

It didn’t take too many pages to get drawn into George R.R. Martin’s latest. I guess I’m just a sucker for lines like these:

Laws should be made of iron, not of pudding.


Powering the Dream

I just finished up Alexis Madrigal’s Powering the Dream, a history of renewable energy in the U.S. It took me a while to get through the book, I think because I found it to be a bit of a jumble. Madrigal sweeps through the history of several renewable energy sectors in relatively short order, so Powering felt to me a bit like a whirl of anecdotes and interludes.

Still I’ve now got a better grasp of the history of renewables and a few of its recurring themes. One among them is the important role played by government, whether it’s the Reagan administration’s abandonment of solar power or the Danish government’s careful nurturing of that country’s wind industry. In another example, Madrigal notes a possible missed opportunity in algal biofuels:

The neglect of the Aquatic Species Program and subsequent resurgence of algal biofuel is one of the many examples that show how the lack of coherent, consistent energy policy has left the world’s most oil-dependent nation scrambling in times of crises. Johansen even went so far as to say that if the “Reagan and Bush administrations had not ended” the growth of the algal biofuels program, the United States would already have commercial algal biofuels.


See a Little Light

Bob Mould plays on the main stage at Sasquatch music festival on Friday, May 27.

Photo Credit: Mito Habe-Evans/NPR

Bob Mould’s memoir, See a Little Light, was a good read. I’ve been a fan of Mould’s since 1995-1996, when a friend from Minneapolis introduced me to Sugar and Husker Du. Sugar especially was in heavy rotation on my CD player for a while, so I was glad to get the back story.

This is pretty hazy, but I think the first time I saw Bob Mould was at Tramps in NYC, a solo show back in 1997. I remember being astonished by the performance. He played the tunes you wanted to hear, and he delivered them with enthusiasm and ferocity. In a passage in the book on his very first solo acoustic shows, he talks about that style:

I was learning on the spot: how do I make this voice and this solitary guitar sound like a raging storm? What I learned: if the song is good, it will resonate, no matter what the orchestration. This was the first time I had no distortion in which to wrap my sound; I had to fill in the percussion with my playing; I had to sing clearly.

Mould also mentions a gig he did in October 2005, a show at the 930 Club (with his band) to support “Body of Song.” He says it “was one of the best shows I’d played in years.” As a matter of fact, I was at that gig, and I agree it was a fine, inspiring performance. Loud too. I was glad I brought earplugs.


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