Four Documentary Picks
Posted: February 7, 2012 Filed under: Cinema Leave a comment »At Lose the Temper, Isabel recommends a few documentary films available via Netflix streaming:
Bill Cunningham New York – fascinating and fun look at the life of Bill Cunningham, photographer for the New York Times.
A State of Mind – A look into communist Korea while watching 2 gymnast prepare for the Mass Games.
For The Bible Tells Me So – How the religious right have used the Bible to deny human rights.
Man on Wire – About Philippe Petit’s walk across the Twin Towers on a wire.
I’ve seen “Man on Wire“, which was awesome.
Twenty
Posted: December 3, 2011 Filed under: Artists, Cinema, Listening, Videos Leave a comment »I just watched Cameron Crowe’s ‘Twenty,’ a roc dock on Pearl Jam. The flick streams on Netflix – I’d recommend to anyone who either likes the band or is just in the mood to contemplate the 90s a bit.
Couple of thoughts:
- The film’s teaser describes it as a look at Pearl Jam’s ‘turbulent’ career. I actually didn’t see turbulence as the dominant theme of this band. There have clearly been ups and downs, sure. But it seems to me the the story of Pearl Jam is that they got huge relatively quickly and pretty much stayed huge, despite falling out of (or taking themselves out of) the pop culture forefront. One portion of the film recounts a concert in 2003 – at Nassau Coliseum. I mean, 2003! Were they even on the radio then? Maybe, but I don’t remember it.
- I think Eddie Vedder is the real deal. A great moment in the flick is when his bandmates describe the first time they heard his demo, before they hired him.
- As for the band’s longevity, one thing the band credits is how it changes up its set list each night. Jam band ethos – good for business too.
- I just downloaded Pearl Jam’s 2009 “Backspacer.” Lots of hooks.
Undermind Rock Doc
Posted: November 19, 2011 Filed under: Artists, Cinema, Videos Leave a comment »H/T to Dog Gone Blog for this one:
Flight 666
Posted: April 16, 2011 Filed under: Cinema Leave a comment »Wow. That’s one of the best rock documentaries I’ve seen.
DVD Trumps Blogging This Evening
Posted: April 14, 2011 Filed under: Cinema Leave a comment »Speaking of Netflix, “Flight 666,” the Iron Maiden rock doc, just arrived today. I’m tuning in now.
Gasland
Posted: February 17, 2011 Filed under: Cinema, Environment, Videos Leave a comment »I recommend this film, which I saw this evening at a screening at the Landmark E Street Cinemas.
Cyprien Gaillard, “Desniansky Raion”
Posted: February 1, 2011 Filed under: Artists, Cinema, Videos Leave a comment »Another highlight from my visit to the Hirshorn Museum the other day was “Desniansky Raion,” which the Tate describes as “Cyprien Gaillard’s triptych of films set to music by French composer and musician Koudlam.”
Here’s Gaillard discussing the work.
Low Tolerance for Slightly Fake, Part II
Posted: January 31, 2011 Filed under: Cinema, Technology Leave a comment »I just finished up “Moon.” It was the first feature-length film I’ve watched entirely on my iPhone (via Netflix), and I have to say the experience was pretty good. It’ll be even better with an iPad, I suppose.
As for the movie itself, I give it a solid B+. To follow up on my post last week, the depiction of the corporation in “Moon” didn’t set off my BS-o-meter like it did with “District Nine.” I’ll leave my commentary at that, because I don’t want to blow the movie for anybody.
Low Tolerance for Slightly Fake
Posted: January 27, 2011 Filed under: Cinema 4 Comments »Couple of random pop culture musings this evening.
The first is that I recently spent some time watching “District 9,” on my iPhone no less (via Netflix). After getting about a quarter of the way through the movie, I gave up on it. I thought the flick started out really strong, but then some things started to bother me. For one, the evil corporation portrayed in the movie was just way too evil. I’ve got nothing against the corporation as antagonist, but when you have corporate types ordering human vivisection (of their colleague’s son-in-law, who is conscious and strapped to a table right in front of them) to make “hundreds of millions of dollars,” that seems like BS. I turned it off.
Second item was that I watched the extended trailer for “Game of Thrones,” coming to HBO this April. I’m excited for this one, having read all 4,000 pages of series in relatively short order. I have to say, though, I was slightly bummed to see that Peter Dinklage, who plays Tyrion Lannister, is sporting an English accent for the role. I guess that’s because everyone else in the series seems to have one (particularly Tyrion’s brother)? It’s too bad – I find it distracting, same way I did watching the Yanks (playing Aragorn, Frodo, etc.) in “Lord of the Rings” try their best to sound British. If I were directing, I would have let everyone keep their native accents. As the author and the directors say in the Game of Thrones video below, the fantasy genre allows flexibility. So why can’t Tyrion just talk like an American? It also looks like Sean Bean ditches his Irish accent. Ah well. I’m still going to watch show, or at least the first episode or two.
#Tolkien and Diversity, Revisited
Posted: November 30, 2010 Filed under: Cinema, Deep 4 Comments »John Cole at Balloon Juice started up a lively discussion on a recent kerfuffle over ethnic diversity in the casting of “The Hobbit.” The post brought me back to 2005, when MPomy, then at Blogerantz, contemplated whether “The Lord of the Rings” was racist. His short response: I don’t think so.
I think this criticism of racial myopia (though perhaps accurate) is a cheap shot. I think it’s something you say if you don’t want to like these movies. Does Samuel L. Jackson save the Star Wars prequels from their obvious failings in the realm of dialog and character? Are the (wonderful) films of Curtis Hanson – LA Confidential and Wonder Boys – diminished by his failure to feature characters of color in leading roles?
One must also be aware that another major theme of Tolkien, which is played out fairly well in the film versions, is relations and relationships between characters and racial groups that have hated one another for centuries – see dwarves v. elves. This is resolved in favor of a recognition that, while celebrating their diversity, these groups can look beyond their differences, particularly those which are merely skin deep.
Garcia then chimed in.
If you read the Lord of the Rings trilogy carefully, though, and then look at the map, the whole thing is a LOT like WWI, and even pre-WWI, Europe. Is it not odd that Hobbiton is in the NW? Is it not odd that the blonde elves are from the area that is placed geographically a lot like where Scandinavia and Germany would be? And isn’t it ODD that the rogue forces from the South are dark-skinned, and their territory is not even shown on the Middle Earth map? For me, it’s like a combination of the legendary fear of the Mongol Hordes (something that comes up again and again in Icelandic sagas, which were based on Nordic sagas, but hey, i’m no Comp. Lit. expert, o.k.?) and Tolkien’s own experiences in WWI.
I then added the longest comment I’ve put on any blog anywhere.
I haven’t read the Tolkien books, so I have no idea whether his works are racist or not. I’m only talking about the movies (all of which I’ve seen), and specifically, the director’s choice of exclusively casting actors of European descent (at least among the principals).
It had to have been a conscious choice, in my view. No way could the all white cast been an oversight on Jackson’s part, especially given the diversity flap that Star Wars provoked.
My question is, why would Jackson make that choice of an all-white cast? Maybe to try and stay faithful to Tolkien’s vision, descriptions of the characters, etc.? But that doesn’t wash. Shakespeare probably never thought of Hamlet as anything but white, but that doesn’t stop the RSC from casting Hamlets of different ethnic backgrounds.




