Low Tolerance for Slightly Fake, Part II

I just finished up “Moon.” It was the first feature-length film I’ve watched entirely on my iPhone (via Netflix), and I have to say the experience was pretty good. It’ll be even better with an iPad, I suppose.

As for the movie itself, I give it a solid B+. To follow up on my post last week, the depiction of the corporation in “Moon” didn’t set off my BS-o-meter like it did with “District Nine.” I’ll leave my commentary at that, because I don’t want to blow the movie for anybody.

 


Low Tolerance for Slightly Fake

Couple of random pop culture musings this evening.

The first is that I recently spent some time watching “District 9,” on my iPhone no less (via Netflix). After getting about a quarter of the way through the movie, I gave up on it. I thought the flick started out really strong, but then some things started to bother me. For one, the evil corporation portrayed in the movie was just way too evil. I’ve got nothing against the corporation as antagonist, but when you have corporate types ordering human vivisection (of their colleague’s son-in-law, who is conscious and strapped to a table right in front of them) to make “hundreds of millions of dollars,” that seems like BS. I turned it off.

Second item was that I watched the extended trailer for “Game of Thrones,” coming to HBO this April. I’m excited for this one, having read all 4,000 pages of series in relatively short order. I have to say, though, I was slightly bummed to see that Peter Dinklage, who plays Tyrion Lannister, is sporting an English accent for the role. I guess that’s because everyone else in the series seems to have one (particularly Tyrion’s brother)? It’s too bad – I find it distracting, same way I did watching the Yanks (playing Aragorn, Frodo, etc.) in “Lord of the Rings” try their best to sound British. If I were directing, I would have let everyone keep their native accents. As the author and the directors say in the Game of Thrones video below, the fantasy genre allows flexibility. So why can’t Tyrion just talk like an American? It also looks like Sean Bean ditches his Irish accent. Ah well. I’m still going to watch show, or at least the first episode or two.


#Tolkien and Diversity, Revisited

John Cole at Balloon Juice started up a lively discussion on a recent kerfuffle over ethnic diversity in the casting of “The Hobbit.” The post brought me back to 2005, when MPomy, then at Blogerantz, contemplated whether “The Lord of the Rings” was racist. His short response: I don’t think so.

I think this criticism of racial myopia (though perhaps accurate) is a cheap shot. I think it’s something you say if you don’t want to like these movies. Does Samuel L. Jackson save the Star Wars prequels from their obvious failings in the realm of dialog and character? Are the (wonderful) films of Curtis Hanson – LA Confidential and Wonder Boys – diminished by his failure to feature characters of color in leading roles?

One must also be aware that another major theme of Tolkien, which is played out fairly well in the film versions, is relations and relationships between characters and racial groups that have hated one another for centuries – see dwarves v. elves. This is resolved in favor of a recognition that, while celebrating their diversity, these groups can look beyond their differences, particularly those which are merely skin deep.

Garcia then chimed in.

If you read the Lord of the Rings trilogy carefully, though, and then look at the map, the whole thing is a LOT like WWI, and even pre-WWI, Europe. Is it not odd that Hobbiton is in the NW? Is it not odd that the blonde elves are from the area that is placed geographically a lot like where Scandinavia and Germany would be? And isn’t it ODD that the rogue forces from the South are dark-skinned, and their territory is not even shown on the Middle Earth map? For me, it’s like a combination of the legendary fear of the Mongol Hordes (something that comes up again and again in Icelandic sagas, which were based on Nordic sagas, but hey, i’m no Comp. Lit. expert, o.k.?) and Tolkien’s own experiences in WWI.

I then added the longest comment I’ve put on any blog anywhere.

I haven’t read the Tolkien books, so I have no idea whether his works are racist or not. I’m only talking about the movies (all of which I’ve seen), and specifically, the director’s choice of exclusively casting actors of European descent (at least among the principals).

It had to have been a conscious choice, in my view. No way could the all white cast been an oversight on Jackson’s part, especially given the diversity flap that Star Wars provoked.

My question is, why would Jackson make that choice of an all-white cast? Maybe to try and stay faithful to Tolkien’s vision, descriptions of the characters, etc.? But that doesn’t wash. Shakespeare probably never thought of Hamlet as anything but white, but that doesn’t stop the RSC from casting Hamlets of different ethnic backgrounds.


Downloaded: Permanent Waves

I found myself flipping the dial last night on a television with a DirecTV hookup. I was literally opening my mouth to comment about the vast wasteland of 500 channels and nothing on, when up popped “Beyond the Lighted Stage,” the Rush documentary. The film was on VH1, which I was surprised to see was still in operation. I thought Viacom or whoever had pulled the plug.

Anyway, I didn’t watch the whole movie, but what I did watch sure was satisfying and somewhat informative. One thing I learned was that Rush, back in the day, went out on the road as the opening act for Kiss. That was a pretty funny segment. In an interview for the documentary, Gene Simmons razzed Rush for being a bunch of straight arrows, and I think it was Geddy who absolutely gave it up to Kiss for being consummate entertainers.

Something else I noticed was that Neil Peart, at around the “Moving Pictures” era, bore a bit of a resemblance to Stewart Copeland. In an interview clip from that time, Rush said they were big fans of the Police.

I don’t think I’ll go on a Rush bender, but I did just download “Permanent Waves.” If that hooks me, “Hemispheres” is next.


Downloaded: “Throw Down Your Heart”

Last night I finished up “Throw Down Your Heart,” the documentary covering Béla Fleck’s travels through Africa. The film had about 10 great quotes that I would like to have written down to share here. Unfortunately, I was watching on a DVD player that had no remote control.

Anyway, the documentary is worth a rent, if only to see Fleck taking such pleasure in musical exploration and jamming. I’m also going to look into some of the artists featured in the film and the accompanying record, which I downloaded last night. “Djorolen,” a tune that Beck played with singer Oumou Sangaré, is piercing.


Bela Fleck Documentary

Via Joshua Berman, I found something for the Netflix queue.


Trailer for Rush Documentary

Via I Heart Guitar:


Always Nice to Have Something to Look Forward to

Phish 3D, filmed at Festival 8 – the band’s three-day festival which took place on October 30th, 31st and November 1st at the Empire Polo Club in Indio, California – will be in theatres nationwide in 3D on April 30th. The band performed 8 sets over the course of the weekend, including a special Acoustic Set on Sunday afternoon. Keeping the tradition of past Halloween shows, they donned a musical costume on Halloween night, covering The Rolling Stones’ album Exile On Main Street.


Send Me a Cheeseburger and a New Rolling Stone

Another indicator that “Crazy Heart” was a good movie: I found myself thinking about it today. Also, last night, randomly, Neil Young’s “Crime in the City” popped into my head while I was walking the dogs. But it’s not so random, when you look at the lyrics.  Here’s a snippet, courtesy of HyperRust:

The artist looked at the producer.
The producer sat back.
He said what we have got here
is a perfect track
But we don’t have a vocal,
and we don’t have a song.
If we could get these things accomplished,
nothin’ else could go wrong.
So he balanced the ashtray
as he picked up the phone
and said send me a songwriter
who’s drifted far from home
And make sure that he’s hungry.
Make sure he’s alone.
Send me a cheeseburger
and a new Rolling Stone.

Here’s the song on Grooveshark.


I Give “Crazy Heart” a B/B+

That movie was definitely worth the $10.75. I like how MPomy puts it in his comments on the film: “This is a love letter to American music; singing, songwriting and guitar playing.” And the desert scenery was a perfect setting. After the flick, we both felt a jones for the Southwest.


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