
Several months ago I was fortunate enough to get my hands on an amazing piece of music production software called Reason 4.0. It’s not in the same classification as GarageBand, which is a basic digital audio workstation (DAW). Instead, Reason is a sequencer/synthesizer, which means it can generate some beautifully deranged sounds. I was so intimidated by the ‘pro’ aspect of this package, that I never gave it the time and attention and generated nothing worth keeping. But today, I finally watched a few video tutorials that put a lot of the mystery in perspective. At this point, I’m feeling much more comfortable with the tech, and I can say that my next project will be Reason-based. I’ll still have to pipe it through a DAW (Reason will work pretty smoothly with Apple Logic, which I also seem to have, somehow) in order to make it into an mp3 or something.
The goal is to be able to play the tech in the same way that I play the guitar. There’s lots of more expensive ways to do this. I was first intrigued by the beautiful hardware/software combo from my friends at Native Instruments – Maschine. Then I realized that rig is a modern version of the stand-alone classic Akai-MPC. That instrument appears to be responsible for a lot of early hip-hop; the artist could trigger and manipulate samples live and make it all happen while spitting your flow. Check out this video and you can see the creative aspect of ‘jamming’ with a groovebox. I really want to be able to do that.
But rather than dropping $500 plus for a new piece of hardware, I realize that Reason has a lot of these capabilities, and a lot more as well. Unfortunately, my little Axiom 25 doesn’t seem to be the best control surface for the kind of work I’m interested in learning. So, the next step is to price some pad-oriented control surfaces that will let me rock out on Reason, slicin’ and dicin’, getting wiggy with the arpeggiator, and generally freakin’ out the neighbors.
My evil plan is to get some kind of twisted sound collage, complete with beats and synths and assorted craziness all hooked up in the heat of a jam, and then drop in the mighty riffs on the old Travis Bean or Gibson SG. I’m bringing down a power that I don’t think has ever been heard before.