Via @nybooks, a snippet from the March 11 New York Review of Books:
Gopnik speculates that early childhood prepares us for both the appreciation and creation of art: imaginary play among children hones the ability to entertain counterfactuals—the alternative worlds out of which art, and invention of any sort, are primarily made. It requires discipline to stay in the imaginary role one has assumed, to project psychologically what it means to be a mother, a firefighter, a soldier, a prisoner. If it doesn’t feel real, the game falls apart. Imaginary play is a rehearsal for understanding the minds and intentions of others, a basic survival skill.




